Essay Club
Looking deeply at two essays that are the "harvest of a quiet eye"
As the devotion of a life, the way of words, of knowing and loving words, is a way to the essence of things, and to the essence of knowing too. What is required for a loving that is knowing, for a knowing that is loving, is the quiet eye.
John S. Dunne (the "quiet eye" also appears in Wordsworth's "A Poet's Epitaph")
. . In common things that round us lie
Some random truths he can impart,—
The harvest of a quiet eye.
from William Wordsworth's "A Poet's Epitaph"
I would not give a fig for the simplicity this side of complexity, But I would give my life for the simplicity on the other side of complexity.
Oliver Wendell Holmes
Essay: Living Like Weasels (Annie Dillard)
A weasel is wild. Who knows what he thinks? He sleeps in his underground den, his tail draped over his nose. Sometimes he lives in his den for two days without leaving. Outside, he stalks rabbits, mice, muskrats, and birds, killing more bodies than he can eat warm, and often dragging the carcasses home. Obedient to instinct, he bites his prey at the neck, either splitting the jugular vein at the throat or crunching the brain at the base of the skull, and he does not let go. One naturalist refused to kill a weasel who was socketed into his hand deeply as a rattlesnake. The man could in no way pry the tiny weasel off and he had to walk half a mile to water, the weasel dangling from his palm, and soak him off like a stubborn label.
And once, says Ernest Thompson Seton--once, a man shot an eagle out of the sky. He examined the eagle and found the dry skull of a weasel fixed by the jaws to his throat. The supposition is that the eagle had pounced on the weasel and the weasel swiveled and bit as instinct taught him, tooth to neck, and nearly won. I would like to have seen that eagle from the air a few weeks or months before he was shot: was the whole weasel still attached to his feathered throat, a fur pendant? Or did the eagle eat what he could reach, gutting the living weasel with his talons before his breast, bending his beak, cleaning the beautiful airborne bones?
I have been reading about weasels because I saw one last week. I startled a weasel who startled me, and we exchanged a long glance.
Twenty minutes from my house, through the woods by the quarry and across the highway, is Hollins Pond, a remarkable piece of shallowness, where I like to go at sunset and sit on a tree trunk. Hollins Pond is also called Murray's Pond; it covers two acres of bottomland near Tinker Creek with six inches of water and six thousand lily pads. In winter, brown-and-white steers stand in the middle of it, merely dampening their hooves; from the distant shore they look like miracle itself, complete with miracle's nonchalance. Now, in summer, the steers are gone. The water lilies have blossomed and spread to a green horizontal plane that is terra firma to plodding blackbirds, and tremulous ceiling to black leeches, crayfish, and carp.
This is, mind you, suburbia. It is a five-minute walk in three directions to rows of houses, though none is visible here. There's a 55 mph highway at one end of the pond, and a nesting pair of wood ducks at the other. Under every bush is a muskrat hole or a beer can. The far end is an alternating series of fields and woods, fields and woods, threaded everywhere with motorcycle tracks--in whose bare clay wild turtles lay eggs.
So. I had crossed the highway, stepped over two low barbed-wire fences, and traced the motorcycle path in all gratitude through the wild rose and poison ivy of the pond's shoreline up into high grassy fields. Then I cut down through the woods to the mossy fallen tree where I sit. This tree is excellent. It makes a dry, upholstered bench at the upper, marshy end of the pond, a plush jetty raised from the thorny shore between a shallow blue body of water and a deep blue body of sky.
The sun had just set. I was relaxed on the tree trunk, ensconced in the lap of lichen, watching the lily pads at my feet tremble and part dreamily over the thrusting path of a carp. A yellow bird appeared to my right and flew behind me. It caught my eye; I swiveled around--and the next instant, inexplicably, I was looking down at a weasel, who was looking up at me.
Weasel! I'd never seen one wild before. He was ten inches long, thin as a curve, a muscled ribbon, brown as fruitwood, soft-furred, alert. His face was fierce, small and pointed as a lizard's; he would have made a good arrowhead. There was just a dot of chin, maybe two brown hairs' worth, and then the pure white fur began that spread down his underside. He had two black eyes I didn't see, any more than you see a window.
The weasel was stunned into stillness as he was emerging from beneath an enormous shaggy wild rose bush four feet away. I was stunned into stillness twisted backward on the tree trunk. Our eyes locked, and someone threw away the key.
Our look was as if two lovers, or deadly enemies, met unexpectedly on an overgrown path when each had been thinking of something else: a clearing blow to the gut. It was also a bright blow to the brain, or a sudden beating of brains, with all the charge and intimate grate of rubbed balloons. It emptied our lungs. It felled the forest, moved the fields, and drained the pond; the world dismantled and tumbled into that black hole of eyes. If you and I looked at each other that way, our skulls would split and drop to our shoulders. But we don't. We keep our skulls. So.
He disappeared. This was only last week, and already I don't remember what shattered the enchantment. I think I blinked, I think I retrieved my brain from the weasel's and tried to memorize what I was seeing, and the weasel felt the yank of separation, the careening splash-down into real life and the urgent current of instinct. He vanished under the wild rose. I waited motionless, my mind suddenly full of data and my spirit with pleadings, but he didn't return.
Please do not tell me about "approach-avoidance conflicts." I tell you I've been in that weasel's brain for sixty seconds, and he was in mine. Brains are private places, muttering through unique and secret tapes--but the weasel and I both plugged into another tape simultaneously, for a sweet and shocking time. Can I help it if it was a blank?
What goes on in his brain the rest of the time? What does a weasel think about? He won't say. His journal is tracks in clay, a spray of feathers, mouse blood and bone: uncollected, unconnected, loose-leaf, and blown.
I would like to learn, or remember, how to live. I come to Hollins Pond not so much to learn how to live as, frankly, to forget about it. That is, I don't think I can learn from a wild animal how to live in particular--shall I suck warm blood, hold my tail high, walk with my footprints precisely over the prints of my hands?--but I might learn something of mindlessness, something of the purity of living in the physical sense and the dignity of living without bias or motive. The weasel lives in necessity and we live in choice, hating necessity and dying at the last ignobly in its talons. I would like to live as I should, as the weasel lives as he should. And I suspect that for me the way is like the weasel's: open to time and death painlessly, noticing everything, remembering nothing, choosing the given with a fierce and pointed will.
I missed my chance. I should have gone for the throat. I should have lunged for that streak of white under the weasel's chin and held on, held on through mud and into the wild rose, held on for a dearer life. We could live under the wild rose as weasels, mute and uncomprehending. I could very calmly go wild. I could live two days in the den, curled, leaning on mouse fur, sniffing bird bones, blinking, licking, breathing musk, my hair tangled in the roots of grasses. Down is a good place to go, where the mind is single. Down is out, out of your ever-loving mind and back to your careless senses. I remember muteness as a prolonged and giddy fast, where every moment is a feast of utterance received. Time and events are merely poured, unremarked, and ingested directly, like blood pulsed into my gut through a jugular vein. Could two live that way? Could two live under the wild rose, and explore by the pond, so that the smooth mind of each is as everywhere present to the other, and as received and as unchallenged, as falling snow?
We could, you know. We can live any way we want. People take vows of poverty, chastity, and obedience--even of silence--by choice. The thing is to stalk your calling in a certain skilled and supple way, to locate the most tender and live spot and plug into that pulse. This is yielding, not fighting. A weasel doesn't "attack" anything; a weasel lives as he's meant to, yielding at every moment to the perfect freedom of single necessity.
I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Then even death, where you're going no matter how you live, cannot you part. Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.
Essay: Bird (Mary Oliver)
"The light of the body is the eye." (MATTHEW 6:22)
On a December morning, many years ago, I brought a young, injured black-backed gull home from the beach.
It was, in fact, Christmas morning, as well as bitter cold, which may account for my act. Injured gulls are common; nature's maw receives them again implacably; almost never is a rescue justified by a return to health and freedom. And this gull was close to that deep maw; it made no protest when I picked it up, the eyes were half-shut, the body so starved it seemed to hold nothing but air.
A bathtub is a convenient and cool place in which to put an injured bird, and there this bird lay, on its side, through the rest of the day. But the next morning, its eyes were open and it sat, though clumsily, erect. It lifted its head and drank from a cup of water, little sips. It was a shattered elegance, grossly injured; the outer bone of one wing broken, the other wing injured as well. Our guess was that it had become hurt and unable to fly, and on the beach had been mauled by a dog or coyote. In the language of the day, it was bankrupt.
But the following morning it accepted food, a few small pieces of fresh cod. Food gave it strength and it rapidly became, in spite of its injuries, almost jaunty. The neck and breast muscles were strong; the eye, bright and clear. M. and I talked to it, it looked at us directly. It showed neither fear nor aggression, and we sensed quickly that it did not like to be alone.
We set up a site, with a padding of towels and paper towels, just inside a glass door that overlooks our deck and the harbor. It was apparent then that the gull was also leg-injured; it stood, but could not walk. In the first days one pink foot turned black and withered; later the remaining foot would do the same. When that happened we built up the perch to compensate, that he might still see outside. At the end of the day, when it grew dark, we turned him around to face the room, that he might be part of the evening circle.
He loved the light. In the morning when I came downstairs in the half-dark, he was eager for me to lift the shade and turn him around so he could begin looking. He would swing his head slowly from east to west, and back, and again, gazing slowly and deeply. During the colorful winter sunsets, the descent of the light, he also turned his attention entirely from us, and into the world.
To understand this, you must know that at other times he was greatly interested in us, and watched whatever we did with gorgeous curiosity. One morning I dropped next to him, by accident, a sheet of holiday wrapping paper, and I very soon saw him pecking at it. Diligently and persistently, he was trying to remove Santa Claus's hat from the Santa figure on the paper. After that we invented games; I drew pictures – of fish, of worms, of leggy spiders, of hot dogs –which he would pick at with a particularly gleeful intent. Since he was not hungry, his failure to lift the image seemed not to frustrate but to amuse him. We added feather-tossing, using crow feathers. I tossed by hand, he with his enormous, deft beak. We kept within his reach a bowl of sand and another of water, and began more nonsense— I would fling the water around with my finger, he, again, would follow with that spirited beak, dashing the water from the bowl, making it fly in all directions. His eyes sparkled. We gave him a stuffed toy—a lion as it happened— and he would peck the lion's red nose very gently, and lean against him while he slept.
And we had other moments of exhilaration and fun. Every morning we filled the bathtub and he took boisterous baths, dipping his speckled head and beating the water as well as he could, his shoulders shaking and his wings partially opening. Then, on an island of towels, in the morning sun, he would slowly and assiduously groom himself. On a few windless days he sat on the deck outside, a place safe from trouble and full of brightness. When we carried him there he would croak with excitement.
But no matter how hard I try to tell this story, it's not like it was. He was a small life but elegant, courteous, patient, responsive, as well as very injured. And there is this certainty about muscles; they need to be exercised.
And this was an enterprise in which he could no longer, to any useful extent, engage. At the same time he was gaining in attentiveness and eating more than sufficiently, he was growing weaker. The wing wound had dried, but the second foot had now begun to wither. He shook his shoulders less and less during his bath. The neck was still strong, the head lightly uplifted and arched, quick and nimble. He was no less ready to play.
But, always, he was a little weaker. And so he was in an impossible place. And we were more and more in a difficult place. How do I say it? We grew fond. We grew into that perilous place: we grew fond.
We tried to kill him, with sleeping pills, but he only slept for a long time, many hours, then woke with his usual brightness. We decided nature knows best and carried him back to the water and let him go, drifting, but he sank, so we waded out and got hold of him, all of us dripping wet as we carried him back inside.
January passed. As we entered February he ate voraciously, made a hundred messes on well-placed paper towels, or somewhere near them. By that time he knew the routines of the day, and expressed vigorous excitement toward the satisfaction of his anticipation. We had a storm from the southeast and I found along the shore a feast of soft-shelled clams; he ate until his eyes filled with sleep. The broken part of the wing hung now by a single tendon; we clipped it away. One withered foot literally fell from him, along with the first section of leg bone, so he was a one-winged, one-legged gull. But still patient, attentive.
And he had visitors. He liked to have his head touched, his feathers roughed up a little and then smoothed– something a two-legged gull can do for himself. He would sport with his water bowl. He would open the great beak for a feather, then fling it across the floor. He liked applause.
Was he in pain? Our own doctor, who came to see him, did not think so. Did we do right or wrong to lengthen his days? Even now we do not know. Sometimes he was restless. Then I would take him with me into the room where I write, and play music– Schubert, Mahler, Brahms. Soon he would become quiet, and, dipping his head, would retire into the private chamber of himself.
But the rough-and-tumble work of dying was going on, even in the quiet body. The middle of February passed. When I picked him up the muscles along the breast were so thin I feared for the tender skin lying across the crest of the bone. And still the eyes were full of the spices of amusement.
He was, of course, a piece of the sky. His eyes said so.
This is not fact; this is the other part of knowing something, when there is no proof, but neither is there any way toward disbelief. Imagine lifting the lid from a jar and finding it filled not with darkness but with light.
Bird was like that. Startling, elegant, alive.
But the day we knew must come did at last, and then the nonresponsiveness of his eyes was terrible. It was late February when I came downstairs, as usual, before dawn. Then returned upstairs, to M. The sweep and play of the morning was just beginning, its tender colors reaching everywhere.
"The little gull has died," I said to M., as I lifted the shades to the morning light.
Resources:
- The Volta in the Essay ("On Difficulty" | Jehanne Dubrow)